Let It Bee

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Melissa and Tracey contributed a cover of " Five Feet High and Rising" to the Johnny Cash tribute album Til Things Are Brighter (1988), credited as Tracey & Melissa Beehive.

Voice Of The Beehive – Let It Bee (1988, CD) - Discogs Voice Of The Beehive – Let It Bee (1988, CD) - Discogs

a b "Official Charts > Voice of the Beehive". Official Charts Company . Retrieved 18 November 2019. To the untrained eye there was perhaps a hint of novelty around Voice Of The Beehive, a British quintet fronted by Californian sisters Tracey and Melissa Belland, joined by Daniel ‘Woody’ Woodgate (formerly of Madness), along with Mike Jones and Martin Brett.a b "Billboard Artists / Voice of the Beehive: Alternative Songs". Billboard . Retrieved 7 October 2015. The most effective moment however was the tabooist Sorrow Floats, spotlighting the rarely touched on subject of female alcoholism but with a tenderness latterly thrown on its head by a pealing, guitar on guitar climax. It definitely shouldn’t have worked, but like the majority of its counterparts, it definitely did. Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Conciseed.). Virgin Books. p.1221. ISBN 1-85227-745-9.

Voice Of The Beehive - Let It Bee | Releases | Discogs

a b c d e f g h "Official Charts > Voice of the Beehive". The Official UK Charts Company . Retrieved 7 October 2015.Roberts, David (2006). British Hit Singles & Albums (19thed.). London: Guinness World Records Limited. p.588. ISBN 1-904994-10-5. a b c "Australian Charts > Voice of the Beehive". australian-charts.com Hung Medien . Retrieved 18 September 2015. Billboard > Voice of the Beehive Chart History > Alternative Songs". Billboard. Archived from the original on 30 October 2019 . Retrieved 18 November 2019. Kent, David (1993). Australian Chart Book 1970–1992 (Illustrateded.). Sydney: Australian Chart Book. p.330. ISBN 0-646-11917-6. N.B. This chart was licensed by ARIA until they commenced producing the chart in-house from 26 June 1988.

Review: Voice Of The Beehive - Let It Bee (reissue

The group featured Californian lead vocalist sisters Tracey Bryn and Melissa Brooke Belland (daughters of The Four Preps singer Bruce Belland). They teamed with British musicians Mike Jones, Martin Brett, Mark Bedford and Daniel Woodgate, the latter two of whom were former members of Madness. Bedford left after making formative contributions to the band and did not feature again, while Woodgate stayed for most of the band's main period of activity. The band took their name from the Greek meaning of the name Melissa, meaning honey bee. [1] Career [ edit ] By contrast, the biggest hit Don’t Call Me Baby dealt a rare orthodox whiff in the shape of a cataloguing post-breakup angst. a b c d Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDFed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p.295. Top 100 ( Kent Music Report) peaks to 19 June 1988: Kent, David (1993). Australian Chart Book 1970–1992 (Illustrateded.). Sydney: Australian Chart Book. p.330. ISBN 0-646-11917-6. N.B. This chart was licensed by ARIA until they commenced producing the chart in-house from 13 June 1988. Official Album Sales Chart Top 100". Official Charts Company. 16 December 2022 . Retrieved 21 December 2022.In October 2017, Bryn and Belland reformed with the original line-up to play a pair of concert dates in London, including the '80s/'90s revival show Indie Daze 4. [4] [5] [6] Band members [ edit ] Gimme Shelter" (ARIA) peak: "Response from ARIA re: chart inquiry, received 28 April 2017". Imgur.com . Retrieved 29 April 2017. The band had five Top 40 singles from two albums in the UK. [2] Their biggest commercial success came with the singles "I Say Nothing", " Don't Call Me Baby", "Monsters and Angels" and " I Think I Love You", taken from albums Let It Bee and Honey Lingers. Sex & Misery, a third album, was released in 1996; [3] by this point sisters Tracey and Melissa were the sole group members. The band reformed in 2003 to play a two-week UK tour.