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Art Forms in Nature: Prints of Ernst Haeckel

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Sigwart JD (2008) Crystal creatures: context for the Dublin Blaschka Congress. Hist Biol 20(1):1–10 Yoshino T, Katsunori Kimoto N, Kishimoto AM, Kurihara T, Ishida N, Matsuura S (2009) A simple mathematical model for chamber arrangement of planktic foraminifera. FORMA 25:87–92 Shaw MD, Szczepanski JZ, Murray SF, Hodge S, Vink CJ (2017) Ideas made glass: Blaschka glass models at Canterbury Museum. Rec Canterb Mus 31:5–84 Brierley L (2009) Art Forms in nature examination and conservation of a blaschka glass model of the protozoan Aulosphaera elegantissima. Stud Conserv 54(4):255–267

Karl Blossfeldt | The Glucksman

O’Connor B (1996) Confocal laser scanning microscopy: a new technique for investigating and illustrating fossil Radiolaria. Micropaleontology 42(4):395–402 Richeson DS (2012) Euler's Gem: the polyhedron formula and the birth of topology. Princeton University Press, Princeton, NJ The Kunstformen contains 100 beautiful lithographic plates which show a multitude of unusual life forms: Radiolaria, Foraminifera, and other forms of microscopic life; jellyfishes, starfishes, calcareous sponges, star corals, barnacles, and other sea life; mosses, lichens, red algae, ferns, fungi, orchids, and other plants; and turtles,moths, spiders, bats, frogs, lizards, hummingbirds, and antelope. With many drawings on each plate, each carefully drawn from nature, the subtle details of nature's art forms are easily compared and appreciated. Waddington CH (1951) The character of biological form. In: Whyte LL (ed) Aspects of form: a symposium on form in nature and art. Publishes, New York, Pelligrini and Cudahy, pp 43–52Matsuoka A, Yoshino T, Kishimoto N, Ishida N, Kurihara T, Kimoto K, Matsuura S (2012) Exact number of pore frames and their configuration in Mesozoic radiolarian Pantanellium: an application of X-ray micro-CT and layered manufacturing technology to micropaleontology. Mar Micropaleontol 88–89:36–40 Lohmann GP (1983) Eigenshape analysis of microfossils: a general morphometric procedure for describing changes in shape. J Int Assoc Math Geol 15(6):659 Delue RZ (2010) A combined review of: Darwins Korallen: Frühe Evolutionsmodelle und die Tradition der Naturgeschichte; Endless Forms: Charles Darwin, Natural Science, and the Visual Arts; The Art of Evolution: Darwin, Darwinisms, and Visual Culture; and Darwin’s Pictures: Views of Evolutionary Theory, 1837–1874. Art Bull 92(4):386–391

Art Form in Nature - Etsy UK Art Form in Nature - Etsy UK

Donofrio M (2016) Topology optimization and advanced manufacturing as means for the design of sustainable building components. Procedia Eng 145:638–645 Ceccato C (1999) The architect as toolmaker: computer-based generative design tools and methods. In: CAADRIA ‘99 (Proceedings of the fourth conference on computer aided architectural design research in asia/ISBN 7-5439-1233-3) Shanghai (China) 5–7 May 1999, pp 295–304Rossi-Wilcox SM, Whitehouse D (2007) Drawing upon nature: studies for the Blaschkas’ glass models. The Corning Museum of Glass, Corning Cohen PS, Naginski E (2014) The return of nature: sustaining architecture in the face of sustainability. Routledge, Abingdon Ball A, Abel R, Ambers J, Brierley L, Howard L (2011) Micro-computed tomography applied to museum collections. Microsc Microanal 17(S2):1794–1795

Nature in Art: Detailed Discussion of Nature Inspired Art and Nature in Art: Detailed Discussion of Nature Inspired Art and

Today’s discoveries about our planet’s biological diversity build upon the research of previous generations of scientists. The Biodiversity Heritage Library (BHL) is a digital library committed to providing free and open access to this treasure trove of information, much of which is held in the libraries of natural history research institutions around the world. Nakaseko K (1959) On Superfamily Liosphaericae (Radiolaria) from Sediments in the Sea Near Antarctica, Part I. Spec Publ Seto Mar Biol Lab 1(2):1–20 Shirley P, Wyman C (2017) Generating stratified random lines in a square. J Comput Gr Tech 6(2): 48–54. http://jcgt.org/published/0006/02/03/ Sustainable art is a movement whose aims are to ignite discussion (and adjust our perception) about the way we use our resources. Sustainable art seeks to make us think more deeply about the impact that our lifestyle choices have on the planet.Artwork based on nature can take many forms and serve many purposes. Because "nature" is such an immense topic that encompasses so many things, I can only provide a partial list of the various subtopics that may appear in nature-related artwork: Hopwood N, Chadarevian S (2004) Dimensions of modelling. The third dimension of science, Models, pp 1–15 That gives us a lot to work with! Nature is both all around us and deep within us. We are inseparable from nature - our bodies, lives and minds depend on the air we breathe and the food we eat. The earth sustains our very life force. Without the earth - without nature - what would we be?

Art Forms in Nature by Karl Blossfeldt - AbeBooks Art Forms in Nature by Karl Blossfeldt - AbeBooks

Tsutsui H (2000) Digital characterization of silicoflagellate for numerical taxonomy. Geoinformatics 11(1):35–42 Bergdoll B (2007) Of crystals, cells, and strata: natural history and debates on the form of a new architecture in the nineteenth century. Archit Hist 50:1–29 urn:lcp:artformsinnature0000haec:epub:302dbe5e-c67a-48a0-843a-2299b511e5f0 Foldoutcount 0 Identifier artformsinnature0000haec Identifier-ark ark:/13960/t7rp61g1w Invoice 1652 Isbn 3791319906 Lccn 98231776 Ocr tesseract 5.0.0-rc2-1-gf788 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.7503 Ocr_module_version 0.0.14 Ocr_parameters -l eng Old_pallet IA401636 Openlibrary_editionYoshino T, Matsuoka A, Kurihara T, Naoto Ishida N, Kishimoto KK, Matsuura S (2012) Application of Voronoi tessellation of spherical surface to geometrical models for skeleton forms for spherical radiolaria. FORMA 27:45–53 Brill ER, Huber F (2016) Sea creatures in glass: the Blaschka Marine Animals at Harvard. Scala Arts Publishers, New York

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