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The best protective filter is the 77mm Hoya multicoated HD3 UV which uses hardened glass and repels dirt and fingerprints. On film, DX and FX digital, this is a very, very sharp lens from edge-to-edge on full-frame, even at f/2.8. Golf Course with Palm Trees and Mountains, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 82mm at f/2.8 at 1/2,000 at Auto ISO 100. bigger or full-resolution file to explore on your computer. EXIF and exposure data read correctly with the TC-17E, meaning the camera and EXIF read the effective f/stop, which now starts at f/4.8, and the effective focal length, which goes from 120~340mm. So long as you want to shoot at f/2.8 with any camera, no problem; but there is no way that cameras introduced before 2007 can stop down the electronic diaphragm.
This 70-200/2.8 is lighter and focuses closer than any other 70-200/2.8. Yes, it's at least as sharp as any other 70-200, but when you earn your living with it every day, what really matters is weight and close focus instance All pro 70-200mm lenses are ultrasharp, but that doesn't matter if the subject is too close to get in focus! ED: Magic Extra-low Dispersion glass for reduced secondary chromatic aberration (sharper pictures). Flare and ghosts are typical for a modern complex zoom. You'll never see any unless you go out of your way to shoot directly into the California desert sun, and then only if you deliberately put something dark on the other side of the frame against which to highlight any ghosts.This 70-200FL works flawlessly on all Nikon FX cameras. It also works perfectly on recent DX cameras like the D3300 and D500. See Nikon Lens Compatibility for the complete list. When used DX, it sees the same angle of view as a 105~300mm lens sees when used on a 35mm or FX camera. As Nikon's best professional moderate telephoto zoom, one of these (or one of its earlier siblings) is in almost every professional photographers' bag. EXIF and exposure data read correctly with the TC-14E, meaning the camera and EXIF read the effective f/stop, which now starts at f/4, and the effective focal length, which goes from 100~280mm.
Performance seems the same, on a D3, as the lens alone, except now it's a 100~280mm f/4. If you're on a tripod and looking at images at 100%, it's just a teensy bit softer wide open (f/4) and is wonderful by f/5.6, one-stop down.It should also have a USA warranty card floating around inside the box, possibly folded into the instruction sheet:
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