The Boatman’s Call

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Yes, I’m sure you have. I never really understood that. I was once told by a very clever person to take Arthur out of my heart and put him by my side. This was the simplest notion, but extremely effective. For some time, he was just there, you know, beside me, as a spiritual companion. I would, in my way, discuss things with him. There was an actual relationship that went on, Arthur parenting me in my distress. I felt protected and emboldened by his presence. I don’t do that sort of thing so much anymore, though those who have died are always in my prayers. But I don’t feel that need in the same way as I did before. That’s not to say that Susie and I don’t capsize regularly. But we don’t have that same terrible need. Cave has written about the death of his son, his friendship with Warren Ellis, and the meaning of lyrics. In more political moments, he has called out homophobic fans and decried the cultural boycott of Israel as “cowardly and shameful”. The album’s dwelling on the fragility of love also collided with Cave’s similarly complicated relationship with religion. The strong undercurrent of “the divine” which flows beneath The Boatman’s Callnot only echoes the sense of belief and sacrifice invited by passionate love, but rejects the idea of an “interventionist god” (as evoked on the album’s opening line), instead preferring the belief that creation exists within the power and pain of an individual’s experiences and interactions.

Suddenly, the world is full of radical possibility because you’re not scared of anything anymore. It’s kind of naïve, because you can always lose more, but it also feels very real. Polly’s commitment to her own work was probably as narcissistic and egomaniacal as my own, although I was so deep into my own shit that I can’t really comment on this with any certainty. I remember our time together with great fondness though, they were happy days, and the phone call hurt; but never one to waste a good crisis, I set about completing The Boatman’s Call.”It is genuinely difficult to sit down, with all your human limitations, and write a song. I am writing the lyrics to a new record at the moment, so all this is extremely raw, and I may be a little sensitive about these matters, to say the least! [ Laughs.] But, as the months drag on, you slowly draw the small threads of ideas together that hopefully, eventually, make up a group of songs that become an album. Once you’ve got that done, things start to reveal themselves and make sense, and you go into the studio with your band members, and you start recording the music, and it’s like collecting treasure. By the time you get these songs onto the stage, they have grown immensely in emotional stature. It can be a truly transcendent experience. So it’s a beautiful, upward journey, to write songs and present them onstage. These small, wretched, little lines that you’ve clawed out of yourself are suddenly amplified onstage, by the brilliance of the musicians who play them, to the absolute delight of your audience. It’s an extraordinary feeling, really, the trajectory of a small, inconsequential idea to something of true importance. Cave performed the song at the funeral of his friend, INXS singer Michael Hutchence, but requested the cameras recording the service be switched off as he performed. [5] [6] Reception [ edit ]

Greg Moskovitch (1 December 2013). "ARIA Award 2013 Winners – Live Updates". Music Feeds . Retrieved 1 December 2013.

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Exactly. I find that it has made me bolder. I’m not so concerned with how I will be perceived, or what other people think of me. On an artistic level, there’s more risk-taking. You lose some of your concern about the outcome of things. Grief can be, in time, liberating artistically. Because what’s the worst that can happen? You get a bad review? In mid-1993, the group returned once more to London and recorded Let Love In, the follow-up album. Let Love In expanded upon the fuller ensemble sound that was established in Henry's Dream [21] and featured contributions from Howard, Ellis, Tex Perkins ( Beasts of Bourbon) and David McComb (The Triffids). [ citation needed] Several popular songs, such as " Red Right Hand" (which featured in the Scream film series [22] [23] and was used as the theme song for Peaky Blinders) and " Loverman" (later covered by Metallica), [24] were drawn from the album. During the promotional tour for the album, American percussionist and drummer Jim Sclavunos joined the group. [ citation needed]